Content Warning: This section of the guide discusses anti-gay bias, racism, domestic abuse, miscarriage, and suicide.

Frankie calls Monique into her office and tells her that Evelyn Hugo, a movie star from the 1960s, is ready to be interviewed about her life—and she has requested Monique. Though intimidated and confused, Monique is excited about the opportunity to make a name for herself. Monique, who has a Black father and a white mother, admits that one of the reasons she took the job at the New York magazine Vivant is because Frankie is a Black woman: “[T]here is something very inspiring about having a black woman running things. […] Frankie makes me feel more sure that I can one day run things, too.” (3).

Monique researches Evelyn and learns about her seven marriages, her tumultuous career, and the scandals and glamor surrounding both. She is fascinated by Evelyn, a welcome distraction from her very recent separation from her husband, David.

Monique is greeted by Evelyn’s assistant, Grace, at Evelyn’s Upper East Side apartment. Grace eases Monique’s anxiety about meeting Evelyn, whom she describes as a kind and generous employer. When Evelyn descends the staircase, Monique finds herself breathless; Evelyn, at 70, is graceful and ageless.