Labyrinths are a recurring theme in Jorge Luis Borges’s literature (a 1962 collection compiling several of his short stories and essays was entitled Labyrinths), acting as symbols of the futility of searching for meaning and patterns in the universe. His stories feature physical labyrinths, but in their complex narrative structure, they are themselves labyrinthine, resisting easy categorization and universal explanations.

While the physical maze and the labyrinthine narrative structure are evident in many of Borges’s stories, in “The Library of Babel,” the Library represents a different kind of labyrinth—a labyrinth of knowledge, language, and infinite possibilities. The seemingly limitless shelves and incomprehensible texts within the Library evoke a sense of being lost in a labyrinth of information: “I declare that the Library is endless” (Paragraph 2). In both cases, whether within a physical maze or the boundless Library, Borges invites readers to contemplate the profound mysteries of existence and the limits of human understanding. Just as the labyrinth symbolizes death in some of Borges’s tales, the Library symbolizes the vastness of the unknown and the eternal quest for meaning and knowledge, echoing the labyrinth’s theme of existential challenge and exploration.