112 pages • 3 hours read
Jesmyn WardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Summary
“The Tradition” by Jericho Brown
Introduction by Jesmyn Ward
“Homegoing, AD” by Kima Jones
“The Weight” by Rachel Kaadzi Ghansah
“Lonely in America” by Wendy S. Walters
“Where Do We Go from Here?” by Isabel Wilkerson
“‘The Dear Pledges of Our Love’: A Defense of Phillis Wheatley’s Husband” by Honorée Fanonne Jeffers
“White Rage” by Carol Anderson
“Cracking the Code” by Jesmyn Ward
“Queries of Unrest” by Clint Smith
“Blacker Than Thou” by Kevin Young
“Da Art of Storytellin’ (a Prequel)” by Kiese Laymon
“Black and Blue” by Garnette Cadogan
“The Condition of Black Life Is One of Mourning” by Claudia Rankine
“Know Your Rights!” by Emily Raboteau
“Composite Pops” by Mitchell S. Jackson
“Theories of Time and Space” by Natasha Trethewey
“This Far: Notes on Love and Revolution” by Daniel José Older
“Message to My Daughters” by Edwidge Danticat
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
From the colonial era to the end of the Civil War, European-Americans systematically enslaved Africans and African Americans. Honorée Fanonne Jeffers’s essay excerpts the poetry of Phillis Wheatley, who wrote of her enslavement: “I, young in life, by seeming cruel fate / Was snatch’d from Afric’s fancy’d happy seat: / What pangs excruciating must molest, / What sorrows labour in my parent’s breast?” (67). Many, many Africans experienced the same traumatic capture and were denied essential human rights—including working without proper compensation and being separated from their families—once they reached America. While researching slavery in New England, Wendy S. Walters attended a talk about an African Burial Ground, during which a man named Keith Stokes said, “Slavery is violent, grotesque, vulgar, and we are all implicated in how it denigrates humanity” (47).
Although the Thirteenth Amendment outlawed slavery in 1865, state legislatures and other authorities sought to suppress black Americans through other means over the ensuing decades. As Carol Anderson describes, “emancipation brought white resentment that the good ol’ days of black subjugation were over” (84). This suppression of African Americans continues to the present, as indicated in events like the shootings of unarmed black people during the 2010s.
By Jesmyn Ward
Let Us Descend
Let Us Descend
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Men We Reaped
Men We Reaped
Jesmyn Ward
Salvage the Bones
Salvage the Bones
Jesmyn Ward
Sing, Unburied, Sing
Sing, Unburied, Sing
Jesmyn Ward
Where the Line Bleeds
Where the Line Bleeds
Jesmyn Ward