112 pages • 3 hours read
Jesmyn WardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Summary
“The Tradition” by Jericho Brown
Introduction by Jesmyn Ward
“Homegoing, AD” by Kima Jones
“The Weight” by Rachel Kaadzi Ghansah
“Lonely in America” by Wendy S. Walters
“Where Do We Go from Here?” by Isabel Wilkerson
“‘The Dear Pledges of Our Love’: A Defense of Phillis Wheatley’s Husband” by Honorée Fanonne Jeffers
“White Rage” by Carol Anderson
“Cracking the Code” by Jesmyn Ward
“Queries of Unrest” by Clint Smith
“Blacker Than Thou” by Kevin Young
“Da Art of Storytellin’ (a Prequel)” by Kiese Laymon
“Black and Blue” by Garnette Cadogan
“The Condition of Black Life Is One of Mourning” by Claudia Rankine
“Know Your Rights!” by Emily Raboteau
“Composite Pops” by Mitchell S. Jackson
“Theories of Time and Space” by Natasha Trethewey
“This Far: Notes on Love and Revolution” by Daniel José Older
“Message to My Daughters” by Edwidge Danticat
Key Figures
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Chapter Summaries & Analyses
Ward reacts to the fatal shooting of Trayvon Martin by George Zimmerman on February 26, 2012, and seeks solidarity for her grief on Twitter. She reads responses to Trayvon’s death online in the midst of her pregnancy while editing a book. Ward is surprised that no one else sees Trayvon as a child.
She realizes how Trayvon’s black identity biases most Americans against him and draws their attention to his most rebellious habits. Ward identifies with the claustrophobia of Trayvon’s life in the South, where the legacy of slavery persists and continues to breed prejudice.
Ward describes Senator Trent Lott from her home state, Mississippi. Lott supported Senator Strom Thurmond’s filibuster against the Civil Rights Act of 1957, and Ward recalls meeting Lott years earlier. The only black student in the group, Ward watched Lott snap a long whip in the air. She writes, “I remember the experience in my bones” (6).
She compares the devaluation of her black identity with a “dark twin” (6). She lists the other dark twins the public ascribes to murdered black Americans such as Trayvon, Tamir Rice, Michael Brown, Sandra Bland, and Emmett Till. Although the mechanisms of racial prejudice may have changed, racism itself has not.
By Jesmyn Ward
Let Us Descend
Let Us Descend
Jesmyn Ward
Men We Reaped
Men We Reaped
Jesmyn Ward
Salvage the Bones
Salvage the Bones
Jesmyn Ward
Sing, Unburied, Sing
Sing, Unburied, Sing
Jesmyn Ward
Where the Line Bleeds
Where the Line Bleeds
Jesmyn Ward