“Namely, I experienced the great beauty of the picture even as I had no idea what to do with that beauty. I couldn’t discharge the feeling by talking about it—there was nothing much to say. What was beautiful in the painting was not like words, it was like paint—silent, direct, and concrete, resisting translation even into thought. As such, my response to the picture was trapped inside me, a bird fluttering in my chest.”

This quote expresses the Ineffable Nature of Art, a key theme in All the Beauty in the World. Bringley uses vivid imagery, comparing his emotional response to “a bird fluttering in my chest,” to convey the intensity and physicality of his reaction to art. The author emphasizes the gap between visual beauty and verbal expression, highlighting how art’s power often lies beyond the realm of language. This passage also introduces the notion of art as a direct, unmediated experience, foreshadowing Bringley’s later pursuit of a more immediate relationship with artworks as a museum guard.

“When in June of 2008, Tom died, I applied for the most straightforward job I could think of in the most beautiful place I knew. This time, I arrive at the Met with no thought of moving forward. My heart is full, my heart is breaking, and I badly want to stand still awhile.”

This quote encapsulates the transformative power of loss and its influence on Bringley’s relationship with art. The juxtaposition of a “full” and “breaking” heart illustrates the complex emotions following Tom’s death. The author’s desire to “stand still awhile” in the museum environment highlights themes of healing, reflection, and finding solace in beauty. This passage also introduces The Museum as a Sanctuary, a place where time seems to slow down, allowing for introspection and emotional processing.